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Essential reading materials reviewed so that you can assemble the library most suited to your interests.

Wednesday, 27 May 2015

The Naked Truth - out nowHave you ever wondered what the role of a costume designer entails? Or indeed how it differs from other clothing-specific titles and job descriptions within the TV and movies business? Jean-Pierre Dorléac, well-known to attendees of the Cult TV Festival, tackles the demarcation at the same time as pulling back the curtain on this aspect of Hollywood, in his book “The Naked Truth”. Covering the years from 1973 to 1985, the choice of timeframe is very deliberate. This was the era when the classic glamour creators of Tinseltown were almost totally side-lined, replaced by pushy wannabes with no background or knowledge in their craft. All brought about by bean counters who put the bottom line ahead of quality.

This is the story of what Jean-Pierre needed to do to make ends meet, while establishing his name so as to be thought of when relevant projects neared production. As many a media person will tell you, networking is essential. It really is a case that what you know is not nearly as important as who you know. Connections beget contracts. So whether it was work for the theatre, television, film, couture, burlesque, ballet, or stars who wanted to make an impact when they were seen out-and-about, Jean-Pierre was civil to everyone, as he sorted the wheat from the chaff.

Tuesday, 29 March 2011

Why is it that people who even hint that they have an interest in UFOs – what they are, who they contain, where they come from – are immediately branded cranks, nutters and kooks? Those who encounter anything they cannot explain away, in the main, choose to keep quiet for fear of ridicule from all and sundry. It’s an excellent control mechanism, closing down investigation, and stopping people asking questions.

A new book, “A.D. – After Disclosure” starts by sweeping aside such stone-walling by asking the reader to accept that UFOs are real. From that point, turning page by riveting page, you begin to realise exactly why the establishment would have worked so hard to conceal the facts. This will be the story of the millennium, with ramifications so wide-ranging it will change the world we live in, forever.  

Wednesday, 13 October 2010

It is a rarity these days that I find myself being able to recommend any book that considers itself a tome dedicated in any shape or form to ‘Cult TV’. Simply put, the majority of titles released in this arena are written by people not up to the job.  Yes, that makes me sounds like a pompous bitch, but I am sick to death of building up a head of virulent steam by uttering “wrong”, “wrong”, “not true” as I plough through one commissioning error after another.

“Fantastic TV” by Steven Savile managed to avoid this fate.  Granted there are still a handful of prize howlers in the manuscript, and this is hardly anything like an exhaustive analysis of “50 Years of Cult Fantasy and Science Fiction” – but blame the editor for trying to build up the stature of this title in the marketplace via an inaccurate subheading. This book will make you want to go and revisit some of the best TV ever made, and also investigate series that you’ve never given much attention to.

Saturday, 07 August 2010

I used to hate history at school. It was never made relevant to my modern world. So, when I find a book that has several chapters that make the past relevant to the global situation we find ourselves in today, the fact that I am actually able to digest the information, and enjoy doing so, is a credit to the writer concerned.

The author in question is David Icke. But hold on there, before you surf off to somewhere else, let me say that less than four years ago I would have had the same reaction you probably just had – a rolling of the eyes, a shaking of the head, and swiftly moving on. Why would I have that reaction? Well, he’s a nutter, isn’t he?  Thinks he’s the son of ‘God’. Believes the Queen’s a lizard. He predicted an escalation of massive natural disasters, and a slow and methodical move towards global government. It’s at that point you should, if you’ve been paying attention, realise in the last scenario he’s been spot-on.  So, there’s something to investigate here ...

Saturday, 17 July 2010

You won’t see many, if any, reviews in the mainstream of “American Conspiracies” by former wrestler Jesse Ventura. It’s selling well in the USA, and yet newspapers and magazines prefer not to mention that it even exists. Why would they try and starve Jesse and, by consequence, his new book of publicity? You can, of course, just shrug your shoulders, say it’s one extreme coincidence, and that there are other books in the bestseller charts that aren’t reviewed. If you believe that, I have some seafront property in Switzerland you’ll be interested in.

The simple fact is that Jesse is dangerous because he’s an individual. He follows the evidence to its logical conclusions. And what he discovers in this book is that we are simply not being told the truth on major incidents in American history. The content of the book, its undeniable presentation of facts, and our media’s refusal to address the evidence presented means only one thing: our entire media, worldwide, is compromised and cannot be trusted.

Saturday, 16 January 2010

For children of the 1960s and early 1970s, their world view and unbridled optimism came from snapshots of things to come seen across a particular niche genre of television production. Against the backdrop of the real world ‘cold war’, here was a multi-faceted universe where English-speaking life on Earth can also be found under the seas, a united world government was a pretty neat idea with no tyranny in sight, and people invested in saving life simply because it was the right thing to do. “Filmed in Supermarionation: A History of the Future” is the story of the Gerry and Sylvia Anderson puppet empire, minus any spin.

Slough’s Trading Estate in the 1960s was the home to a production company that created television shows such as Thunderbirds, Stingray, Captain Scarlet and the Mysterons, Fireball XL5 and Joe 90. This account begins with the revelation of a two-line advertisement in a local paper, and concludes on the day the puppet studios closed in 1969. From AP Films to the Century 21 Organisation, this was a fiction factory that has no equal in the UK.

Thursday, 05 November 2009

Published a year to the day after Oliver Postgate’s death, this wonderful autobiography details his childhood and early life and tells how, with Peter Firmin, he came to create some of the most memorable and loved children’s television shows of all time. Working over a period of 40 years, with little more than a garden shed and an unlimited imagination, he gave us such shows as Bagpuss, The Clangers, Noggin the Nog and Ivor the Engine.

As you read this book you can almost hear Oliver’s instantly recognisable voice – full of warmth, charm and a gentle authority - Oliver wrote and narrated the stories, while Peter Firmin illustrated the characters and made the puppets.

Friday, 02 October 2009

The Wire has been widely hailed by many as the greatest television series of all time – Charlie Brooker of Screenwipe fame is one very high-profile convert. It portrays the war of attrition between the city's hardened police force, and its drug dealers. There is a blurring of good and evil, justice and injustice, right and wrong. Over its five seasons it built up a detailed, rich and layered portrait of Baltimore; from its corner boys touting dope and its dock workers facing extinction, through the strained education system and tainted halls of power, and on to the crumbling media establishment.

In “The Wire: Truth Be Told”, author Rafael Alvarez - a reporter, essayist and staff writer for the show - brings the reader inside this world. This edition should NOT be confused with an earlier version of the book, release some five years ago, which covered just the first three seasons. And you could have had the chance to win one of three unique copies of this book that we had up for grabs, which included a bookplate signed by series creator David Simon, who provides a new 5,000 word introduction to this edition.

Sunday, 15 June 2008

Written in honour of the centenary of Ian Fleming’s birth, “Devil May Care” carries on from where Ian Fleming left off. The blurb on the front cover claims ‘Sebastian Faulks writing as Ian Fleming’. The question is, does Mr Faulks manage to successfully emulate the writing style of Mr Fleming and does the book fit into the Bond canon? The answer is definitely yes.

I read the original Bond books years ago and always loved them. A mixture of fast paced action and travel guide, and DMC does the job just as well. The description of the heat, sounds and smells of 1960’s Tehran is as evocative as anything Fleming came up with.

Friday, 23 May 2008

David Barry follows up his autobiography with some classic Roaring Twenties fiction in this new novel ...


David Barry, star of Please Sir and The Fenn Street Gang, has published Willie the Actor, a novel based on the life of New York bank robber, Willie Sutton.

David’s acting career began alongside Laurence Olivier and Vivien Leigh. As Frankie Abbott in Please Sir!, alongside co-stars Deryck Guyler, John Alderton and Joan Sanderson he became a household name, with his character being a born coward who liked to think himself a tough guy with street smarts. The series spawned sequel The Fenn Street Gang, where Frankie Abbott was given license to extend his life of fantasy.

Saturday, 23 February 2008

Dozens of ideas make it to a TV pilot, a trial episode to introduce the characters and formats, but some, rightly or wrongly, fall at this fence ...


In a medium where we've had flying nuns (The Flying Nun), cars that take on the personalities of recently deceased mothers (My Mother, The Car), and where folk run real fast by being shown in slow motion (The Six Million Dollar Man), it's impossible to believe that some of the really daft ideas actually got left on the shelf.

In the UK, we had the likes of Timeslip, not the smart childrens' show from the 1970s, but a proposed anthology series that would each week feature John Taylor of Duran Duran as a computer hacker, trawling the net to find the story for that particular episode. While Taylor's appearance was a tad embarrassing, the story itself was well-executed, all about a malevolent office block hunting down two lovers within its walls, and the director wasn't opposed to showing off a little female flesh. Mind you, it did feature Virginia Hey as the female lead!

Then there's ever-reliable Doctor Who, which brought us the likes of the one-off pilot K9 and Company, featuring the Time Lord's pet robot dog teamed up with a former assistant, namely Elisabeth Sladen as reporter Sarah Jane Smith. Elisabeth coped admirably with having to play second fiddle to the computer pooch, but in the end it ended up being no more than a 1981 Christmas Special. Somehow, the idea of K9 chasing villains on his tiny castors didn't quite gel!

But it's to America we must go for the really left-field material...



One way to get a pilot made is to do a "special" episode of an ongoing TV series, oust the incumbent cast for one week only, and bring your new protagonists to the fore. Take Assignment: Earth, an episode of the original Star Trek series that featured Robert Lansing as Gary Seven, a human abducted by aliens who is returned to earth to save us from ourselves. He's given a dumb-blonde secretary in the shape of Teri Garr, and a shape-shifting Siamese Cat called Isis as partners.

And Starsky and Hutch didn't escape this back-door pilot-production route. In 1977, the series spawned an episode by the name of Huggy Bear and The Turkey, in which Antonio Fargas as streetwise Huggy somehow gets to work with a prim and proper private eye, strainingly called J.D. "Turkey" Turquet, as played by Dale Robinett. For some reason, Starsky and Hutch decide to refer the case of a missing person to these unlikely 'tecs, and the pair lumbered through solving the mystery. Needless to say future episodes of Starsky and Hutch completely ignored this little sortie completely.

Charlie's Angels, meanwhile, the tall tale of three pretty ladies taking orders from an unseen man called Charlie, also spawned an attempt to do the opposite side of the coin. In Toni's Devils, Barbara Stanwyck, later to play the matriarch in The Colbys was Antonia Blake, the head of a detective agency populated by three beefcakes - hence Toni's Devils. Picture the Chippendales as private eyes and you get the idea of how excruciating we're talking, here.



Sharon Stone got to play a hard-as-nails female boss to two U.S. Marshals (one human, one bionic) in Badlands 2005, a concept where the near future sees water as a more precious commodity than gold. The West of America has been deserted after droughts a decade earlier, and now a re-population programme is underway.

Don't buy that? Okay, how about Ian McShane (of Lovejoy fame) as The Messenger of Death in a series called Chain Letters, where he sends out such communications to us mortals in the hope of tempting us into sin, and consequent death.

Then there's Dack Rambo (Sword of Justice)as an unfortunate author who falls in love with Satan's girlfriend in Good Against Evil. When she's hauled away by devil-worshippers, he teams up with an exorcist and the pair search for her while stamping out evil.

Or there's Infiltrator, where Scott Bakula (Quantum Leap) finds his molecules mish-mashed and combined with a spy satellite in a freak accident. When he gets angry he turns into a metallic android capable of taking out entire office blocks with the weapons that are part of him - it brings a whole new dimension to the problem of premature ejaculation! Hell, at least The Incredible Hulk just turns big and green!

Talking of Quantum Leap, a similar time-vaulting show was Wurlitzer, a 1989 attempt which saw Scott Maldovan as the owner of a restaurant with a jukebox that transports him back to the time of the songs it plays.

Ever thought those two TV evangelists are actually alien invaders out to brainwash earthlings? In The Mysterious Two, James Stephens plays the non-believer who has his girlfriend kidnapped by the extra terrestrials to try and keep him quiet - the aliens in question being played by John Forsyth (Blake Carrington in Dynasty) and Priscilla Pointer (Rebecca Barnes-Wentworth in Dallas).

You could always turn to Mars: Base One, a proposed sit-com from 1980 about a family, recently moved to the Red Planet, who find out they are living next door to a Soviet engineer and his American wife who's a stripper.

If you're really going for bottom-of-the-barrel laughs, think of 13 Thirteenth Avenue from 1983, where a widower and his son (Wil Wheaton, prior to becoming Wesley Crusher on Star Trek - The Next Generation), find they're in a block of flats surrounded by a model who's a witch, a lawyer who's a vampire, a superintendent who's a troll, and an accountant who's a werewolf! Naturally, there's a psychiatrist on hand to try and sort all their lives out!

Prior to M*A*S*H, Alan "Hawkeye" Alda featured in an alleged sit-com in 1966, featuring an invisible baby, called Where's Everett?. Apparently aliens have left this see-through oddity for them, although no-one was exactly sure why.



We've had all sorts of detectives over the years, each with a gimmick - luckily we were spared Danger Team, where Kathleen Beller played a librarian who solved murders and mysteries with the help of animated clay figures and an arsenal of gadgets.

Then there's Gladiator (not the big budget movie), featuring Ken Wahl of Wiseguy fame as a vigilante taking revenge on those committing road-rage crime with the help of a gadget-festooned tow truck. Hardly Knight Rider!

What about Sonny Bono, former partner of Cher, as a Nashville songwriter who sets up his own detective agency in Murder in Music City? Guest appearances by Country and Western singers was to be a staple diet, but it never went further than the two hour pilot movie.



In 1976, Larry Hagman (J.R. in Dallas) played Sherman Holmes, a hardly thinly-veiled take on a certain Victorian gentleman in Return of the World's Greatest Detective. A traffic accident leaves Holmes convinced he is the reincarnation of our Sherlock, and is assigned a psychiatrist to keep tabs on him while he solves cases. Rather conveniently, the shrink is called "Dr Watson"!

Robert Vaughn is well known from The Man from U.N.C.L.E., The Protectors and the final season of The A Team. But what possessed him to play a distant relation of Frankenstein in the modern day Doctor Franken in 1980? He made a creature from a dozen folks' left-overs, and it gains a mind of its own. The freak then goes on the run and, finding out it has the memories of all the people who donated organs to his cause, seeks out the friends and relations of said donors and tries to help sort out their lives.

Care to visualise Tom Selleck (Magnum) as one of two World War II gypsies roaming Germany and France on secret missions? That was the premise of 1978s The Gypsy Warriors, and needless to say they only roamed through one story.



A precursor to Eddie Izzard's Cows, once on Channel 4, McGurk in 1979 we saw a family of actors dressed in dog suits, dolloping out observations on human life from the perspective of man's best friend. Needless to say, this one lay down and begged bad reviews.

However, one version of man's best friend, which has to be the funniest TV series never made, was 1990's Poochinski. Peter Boyle stars as Stanley Poochinski, a long-in-the-tooth cop who's seen it all. He's mortally wounded on a stake-out and his constant companion, a bulldog, becomes the new container for his soul. Only his former partner initially knows this incredible secret, which gives the dog the ability to talk through some nifty animatronics. The dialogue is snappy, the situations hilarious, and the duo avenge the human Poochinski's death. In the final scene, the pooch restrains his assailant by clamping on to the villain's crotch. When the criminal is released and is dragged away, the dog turns to his partner and mutters "I have to tell you I did NOT enjoy that!". Class.

What every oceanography student needs is a mermaid and her sea lion to help him swat up on areas that he's weak in. That was the concept behind Danny and the Mermaid. Needless to say the audience couldn't care less.

Equally, it's quite obvious that a New York photographer would take the action of letting an abandoned circus animal live in his small flat. That's the premise of the 1980 pilot Ethel is an Elephant, and the proposed series would follow the lengths the owner would have to go to keep the animal "with hilarious consequences".



Great Day had the premise of taking Al Molinaro (Alfred from Happy Days) and showing how great and fun life as a tramp in New York could be. Needless to say, it did not succeed in its objective.

Or why not Love at First Sight, about a woman with frosty uptight parents who marries a blind music writer, who pens jingles for an advertising agency? Didn't think so.

Meanwhile, in "Which Way to the Mecca, Jack? from 1965, a Middle East king uses American aid to build up his harem, much to the disapproval of the local Embassy Emissary who is trying to control the use of the cash, again "with hilarious consequences".

In a medium where "reality" concepts have taken over, one wonders if in reality a lot of these ideas would actually be far better than some of the series we actually have on our screens these days ...


Further information on pilot shows that never made it can be found in the book Unsold Television Pilots, 1955-1988 by Lee Goldberg, and Published by McFarland and Company.

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